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Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.

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Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job.

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History of Hermitage Museum - Winter Palace in St Petersburg.

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Paul Verhoeven's Showgirls (1995) was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

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Adam Goodes became an inspiring figure in Australian Rules football. Raised by his single Aboriginal mother, he found a sense of belonging and connection in sport. In 2013, at the top of his game, he was the center of a huge racist row when a 13-year-old girl called him an 'ape' in the middle of a game and he had her ejected from the stadium. What ensued was a shocking backlash of vilification and blunt racism against the football star. Drawing upon Adam Goodes's personal story, Australia's dark colonial past and its treatment of the Aboriginal population, director Daniel Gordon has crafted a powerful and timely examination of race, identity and belonging that resonates far beyond the football pitch.