Prem Geet 2, a sequel to 2016's Prem Geet, is a musical and tells the story of Prem and Geet, its two protagonists, and their journey from Burma to Martha, a rural village in Mugu, Nepal.
This seminal film tells the story of two women with opposing political views fighting for their different versions of a democratic future for Tunisia, the country that sparked the Arab Spring. Over the course of Tunisia's critical post-revolution years, we follow journalist Emna Ben Jemaa, who envisions a country governed by free speech and without the corruption of the former regime. In contrast, Jawhara Ettis of the Islamist party Ennahda works towards a Tunisia guided by Islamic principles. On a public level, both women must navigate how females are treated in their society, while in their own homes they must make difficult choices to balance their public political roles with marriage and motherhood. Both know the stakes are high. The ever-present threat of Islamic extremists means their fragile political process could break down and all they've worked for could be lost.
Lee and Opal Sexton live in the mountains of Eastern Kentucky, farming the land where Lee was raised. Lee is a retired coal miner and revered banjo legend, a living link to the deep past of American music. Though now well into his eighties and hampered by age, Lee continues to perform and teach his distinctive 2-finger banjo style to a new generation eager to preserve a vanishing cultural tradition. Linefork offers an immersive view of Lee and Opal's daily rituals and inherent resilience while documenting the raw yet delicate music of a singular musician, linked to the past yet immediately present.
Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession.
Three women defend their home against a group of armed men who want to take it forcibly from them.