Sandra Hüller

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After the shy and reclusive Christian loses his job, he starts to work for a wholesale market. Bruno from the Beverage aisle takes him under his wing and quickly becomes a fatherly friend to him. He shows him the ropes and patiently teaches him how to operate the fork lift. In the aisles he meets "Sweets"-Marion. He is instantly smitten by her mysterious charm. The coffee machine becomes their regular meeting point and the two start to get to know each other. But Marion is married and Christian's feelings for her seem to remain unrequited, especially when Marion does not return to work one day. Christian slowly becomes a member of the wholesale market family and his days of driving fork lifts and stacking shelves mean much more to him than meets the eye.

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Alternately traumatic and sensual memories from that period keep intruding on 40ish Sibyl's otherwise mended life, like rude mental glitches. Perhaps that's partly why she hits the brakes on her day job, dropping multiple damaged clients so she can spend more time working on her first novel - only for the blinking cursor on her blank-screened laptop to glare back at her like an admonishment. In need of distraction, she changes her mind and takes on a new, intriguing client: young, fragile actress Margot, who's mired in a hellish love triangle with Igor, the dreamy, preening leading man on her latest film, and Mika, her jealous, demanding female director. Pregnant with Igor's unwanted child, Margot doesn't want Sibyl to analyze her so much as take charge of her collapsing life. That's an overstep that the dubiously good psychotherapist, who at last finds writing inspiration in the ingenue's real-life melodrama, is all too willing to take, even jetting to Stromboli to coach her client.

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Sarah is a French astronaut training at the European Space Agency in Cologne. She is the only woman in the arduous program. She lives alone with Stella, her seven-year-old daughter. Sarah feels guilty that she cannot spend more time with her child. Her love is overpowering, unsettling. When Sarah is chosen to join the crew of a year-long space mission called Proxima, it creates chaos in the mother-daughter relationship.

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In order to obtain research funds for her studies, a scientist accepts an offer to participate in an extraordinary experiment: for three weeks, she is to live with a humanoid robot, created to make her happy.