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"The Last Emperor" producer Jeremy Thomas makes a land and sea pilgrimage to the Cannes Film Festival every year, traveling from London in an old sports car often with one or two close friends in tow. This year director Mark Cousins is along for the ride and will be filming as they go. Their off-beat grand tour will take in landmarks and people connected to the producer's life and films. From the locations in Paris used in Bertolucci's "The Dreamers", to Lyon, the birthplace of cinema, and on to the Riviera festival.

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The art film To the Moon reinterprets the creative, experiential and cognitive journey of contemporary ink painting artist Liu Kuo-sung. Through the integration of historic film footage and experimental visual and acoustic presentation, the film traverses the span of time and the borders between nations to present the ever-present rootlessness in Liu's life. Holding a mirror up to the power of collective memory in the twentieth century, this film challenges its viewers to reexamine their values and perceptions of history and more importantly, begs the universal question of how individuals may regain their conceptions of home, belonging, loss and solitude. With To the Moon, CAMLab invites the audience to follow the cinematic narrative through war-induced trauma felt by Liu and the generation he embodies in his continuous search for belonging that flows into his ink-saturated creations.

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Monuments are silent witnesses to the times when they were built and the people who built them. Through monuments one can trace the history of human kind. Monuments teach us about different customs, religions, cultures, economies, wars and social norms. Had their monuments not been preserved many peoples would have perished without a trace. Thousands of monuments were built throughout the former Yugoslavia in the 1945-1990 period to commemorate the sites where World War II battles had been fought. These monuments were once favorite destinations for school trips and political gatherings, as well as a necessary part of all family photos. At the present time, the monuments and their symbolism have been abandoned, neglected and destroyed. The main focus of this film is the destiny of these monuments as secondary raw materials.

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Whistler and Scud, Davy and Sara, Elaine, Gorgeous George, Erik, Matt, Dr Dave, Fordey and Sima have one thing in common, they are obsessed with Newcastle United. We follow their joys and pains, as the black and whites, led by the mighty Rafael Benítez, fight to get back into the Premier League.