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A small but brave donkey named Bo yearns for a life beyond his daily grind at the village mill. One day he finds the courage to break free, and finally goes on the adventure of his dreams. On his journey, he teams up with Ruth, a lovable sheep who has lost her flock and Dave, a dove with lofty aspirations. Along with three wisecracking camels and some eccentric stable animals, Bo and his new friends follow the Star and become accidental heroes in the greatest story ever told - the first Christmas.

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In My Mind is a feature documentary made to celebrate the 50th anniversary of 'The Prisoner' written and directed by award-winning documentary filmmaker Chris Rodley. The film recounts one of Chris' early filmmaking experiences: an attempt to interview Patrick McGoohan - something McGoohan had resisted previously - about his enigmatic series for a Channel 4 commissioned documentary. A documentary that didn't quite go to plan. In a series of frank interviews conducted by Chris, most of which ultimately remained unused in the 1983 documentary 'Six Into One-The Prisoner File', McGoohan slowly reveals his innermost thoughts about his concept. Featuring new interviews with his daughter Catherine McGoohan, who offers insightful and informed views on her father's inner emotional and psychological state of mind and featuring never-before-seen archive footage, this is the definitive story of 'The Prisoner' as told by its creator.

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In between performance, dance and ceremonies, "The Ferryman" is a choreographic exploration of animistic rituals roots, a luxurious visualization of a bewitchment and an exorcism of a man-deer in the borders of the world.

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The centrepiece of Manthia Diawara's An Opera of the World is a staging of Wasis Diop's Bintu Were, A Sahel Opera in Bamako, Mali in 2008 - a pioneering work telling the story of migration from West Africa to Europe by combining traditional Malian music with the structure of the Western operatic art form.

Weaving together this performance with classical works and footage from the current migrant crisis, the film invites meditations on the role of music in experiences and representations of contemporary migration from Fatou Diome, Alexander Kluge, Nicole Lapierre, Richard Sennett and Diawara himself.

For this event, sociologist Suzi Hall and artist Hannah Catherine Jones have been invited to use the film as a starting point to offer their own provocations. The discussion asks what happens when artistic forms meet and merge, and addresses the politics of cultural expression as it migrates and encounters other forms.

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Fanny and her sisters attempt to escape Nazi occupied France but many dangers are ahead of them.